This was to be his major at Howard University in Washington, D.C., though he found himself in cinematography classes before he graduated. ![]() Nonetheless, he initially chose what seemed a more practical career path: architecture. ” Viewing the films of British suspense master Alfred Hitchcock -one of the most influential directors of the modern era -also pushed him toward the medium. As he recalled to Premiere ’s Fannie Weinstein, “It wasn ’t the sets it was the shadows and textures and angles. “That was the film that made me realize that films are photography, ” Dickerson told the New York Times. Always a movie fan, he only became aware of the art of cinematography after seeing David Lean ’s classic 1948 film of the Charles Dickens novel Oliver Twist. ![]() ”īorn in Newark, New Jersey, Dickerson grew up in the city ’s housing projects. “Dickerson has more than skill as a director, ” opined Rolling Stone film critic Peter Travers. While the film ’s reception was mixed, Dickerson showed himself to be an accomplished stylist. ” In 1992 Dickerson moved into the director ’s chair himself with the feature Juice. This would be impressive enough for anyone in the field, but Dickerson has attracted additional attention because, as the Times noted, he was, as of mid-1993, “the youngest member of the American Society of Cinematographers and the only black. His work for a number of demanding and creative directors, most notably Spike Lee, has earned him considerable acclaim. ” Dickerson ’s ability to effect this transformation -turning ideas into cinematic moments -has made him one of the most respected contemporary cinematographers in the United States. “You have got to see it first in your mind ’s eye, manipulate the image to make it look like it does in your head. ![]() “All the camera is is a recording device, ” Ernest Dickerson told Nick Ravo of the New York Times.
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